“Confidence as choreography — a street chant turned national muscle memory.”
The clip that took Best Afro Hip-Hop Video at the 2013 Nigeria Music Video Awards and made Durosoke a movement, not just a single.

Cover art · via Deezer (opens in a new tab) · Legal
Two albums in two years. The one where the confidence stopped sounding like ambition and started sounding like fact. Baddest Guy Ever Liveth — BGEL to anyone who lived through the rollout — arrived a year after YBNL and closed the founding chapter of the label.
Pheelz handled nearly every beat; the guest list stayed closer to the trenches than to radio's A-list. "Durosoke" and "Yemi My Lover" carried the singles campaign, but the album's real argument was stamina: twenty-one tracks of street-hop as mainstream language, delivered before most peers had finished their second project. By the time the video awards caught up in 2014, the upstart had become the standard.
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The clip that took Best Afro Hip-Hop Video at the 2013 Nigeria Music Video Awards and made Durosoke a movement, not just a single.
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